Art and Installation

Elizabeth Englander: Eminem Buddhism, Volume 3, 2024
The Aldrich Contemporary Art Museum

Elizabeth Englander: Eminem Buddhism, Volume 3 (installation view), The Aldrich Contemporary Art Museum, April 7 to October 27, 2024. Courtesy of the artist and Theta, New York.

Elizabeth Englander, Bahubali (Gandhiji), 2022

Elizabeth Englander: Eminem Buddhism, Volume 3, 2024
The Aldrich Contemporary Art Museum

Elizabeth Englander, Bahubali (Gandhiji), 2022. Wood, paint, copper wire. 43 x 16½ x 6 3/4 in. Courtesy of the artist and Theta, New York.

Amanda Martinez: Canta y no llores, 2024
The Aldrich Contemporary Art Museum

Amanda Martínez, Armazón, 2023–24. Wood, polystyrene foam, lava rock, pigmented stucco (portland cement, sand, lime, water, natural iron oxide pigment), galvanized steel lathe, roofing tar paper, sand, shredded tire rubber, acrylic polymer, enamel. 7

Amanda Martínez, Armazón, 2023–24 (detail). Wood, polystyrene foam, lava rock, pigmented stucco (portland cement, sand, lime, water, natural iron oxide pigment), galvanized steel lathe, roofing tar paper, sand, shredded tire rubber, acrylic polymer,

Amanda Martínez, Nicho, 2023–24. Wood, stucco (portland cement, sand, lime, water, natural pigments, dispersion dyes), galvanized steel lathe, roofing tar paper. 60 x 48 x 8. Courtesy of the artist and HESSE FLATOW, New York.

Amanda Martínez, Nicho, 2023–24 (detail). Wood, stucco (portland cement, sand, lime, water, natural pigments, dispersion dyes), galvanized steel lathe, roofing tar paper. 60 x 48 x 8. Courtesy of the artist and HESSE FLATOW, New York.

Amanda Martínez, Touch Earth, 2022. Cast adobe brick (earth, straw, sand, water), found lumber pedestal. 10 x 20 x 11.25 . Courtesy of the artist and HESSE FLATOW, New York; Amanda Martínez, Arrodillarse, 2023. Found textile webbing filled with sand,

Amanda Martínez, Touch Earth, 2022 (detail). Cast adobe brick (earth, straw, sand, water), found lumber pedestal. 10 x 20 x 11.25 . Courtesy of the artist and HESSE FLATOW, New York; Amanda Martínez, Arrodillarse, 2023 (detail). Found textile webbing

Amanda Martínez, Arrodillarse, 2023 (detail). Found textile webbing filled with sand, woven and dyed raffia fibers. 40.5 x 18 x 1. Courtesy of the artist and HESSE FLATOW, New York.

Amanda Martínez, Armazón, 2023–24. Wood, polystyrene foam, lava rock, pigmented stucco (portland cement, sand, lime, water, natural iron oxide pigment), galvanized steel lathe, roofing tar paper, sand, shredded tire rubber, acrylic polymer, enamel. 72 x 126 x 6. Courtesy of the artist and HESSE FLATOW, New York.

Amanda Martínez, Nicho, 2023–24. Wood, stucco (portland cement, sand, lime, water, natural pigments, dispersion dyes), galvanized steel lathe, roofing tar paper. 60 x 48 x 8. Courtesy of the artist and HESSE FLATOW, New York

Amanda Martínez, Touch Earth, 2022. Cast adobe brick (earth, straw, sand, water), found lumber pedestal. 10 x 20 x 11.25 . Courtesy of the artist and HESSE FLATOW, New York; Amanda Martínez, Arrodillarse, 2023. Found textile webbing filled with sand, woven and dyed raffia fibers. 40.5 x 18 x 1. Courtesy of the artist and HESSE FLATOW, New York.

Chiffon Thomas, Untitled (fetal), 2023

Chiffon Thomas: The Cavernous, 2023
The Aldrich Contemporary Art Museum

Chiffon Thomas, Untitled (fetal), 2023. Hydrocal, silicone, embroidery thread, steel wire, cement, tin, copper, LED light. 9 x 15 x 22 (without cement slab), 12 x 15 x 30 (with cement slab). Courtesy of the artist and Kohn Gallery, Los Angeles.

Aldrich Box: Hilma’s Ghost, Enchantments: Bottled Devotionals of Divine Feminine Spirits, 2023

The Aldrich Contemporary Art Museum